I recently found a three year old article in the Los Angeles Times by Joel Stein that I found interesting and humorous: “How Jewish is Hollywood?” Stein quickly dispenses with concerns about “hate facts” and then has fun with the truth:
The Jews are so dominant, I had to scour the trades to come up with six Gentiles in high positions at entertainment companies. When I called them to talk about their incredible advancement, five of them refused to talk to me, apparently out of fear of insulting Jews. The sixth, AMC President Charlie Collier, turned out to be Jewish.
As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day.
So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.”
Stein even has a delightful time gently mocking the appalling Abe Foxman, who deserved much more robust derision:
I called ADL Chairman Abe Foxman, who was in Santiago, Chile, where, he told me to my dismay, he was not hunting Nazis. He dismissed my whole proposition, saying that the number of people who think Jews run Hollywood is still too high. The ADL poll, he pointed out, showed that 59% of Americans think Hollywood execs “do not share the religious and moral values of most Americans,” and 43% think the entertainment industry is waging an organized campaign to “weaken the influence of religious values in this country.”
That’s a sinister canard, Foxman said. “It means they think Jews meet at Canter’s Deli on Friday mornings to decide what’s best for the Jews.” Foxman’s argument made me rethink: I have to eat at Canter’s more often.
“That’s a very dangerous phrase, ‘Jews control Hollywood.’ What is true is that there are a lot of Jews in Hollywood,” he said. Instead of “control,” Foxman would prefer people say that many executives in the industry “happen to be Jewish,” as in “all eight major film studios are run by men who happen to be Jewish.”
Stein gets in trouble from time to time for writing as if Americans still valued witty but sincere, reasonable commentary about issues that the estrogenized masses find “sensitive.” His “Warriors and Wusses” in the Los Angeles Times criticizes pacifists who claim to support the troops, and “My Own Private India” in Time expresses dismay that his New Jersey hometown has been invaded and transformed beyond recognition by foreigners. Sadly, Stein bows before the mighty gods of leftist dogma. He is surely a fellow believer in the reigning Zeitgeist, but his lack of ardent faith, accompanied by moments of humorous dissent, cannot be tolerated. So, he recants. He is not a “Great Writer” but rather a talented fellow with an interest in popular culture who has made a corner for himself in the media—a sort of leftwing Mark Steyn who has settled to write for America’s worst opinion magazine. Yet, he has a family and needs to make a buck. The Jews may control Hollywood, but leftist idealogues run most everything else in America. Even a Jewish Democrat must fear their ire.